Narratology has been conceived from its earliest days as a project that transcends disciplines and media. The essays gathered here address the question of how narrative migrates, mutates, and creates meaning as it is expressed across various media. Dividing the inquiry into five areas: face-to-face narrative, still pictures, moving pictures, music, and digital media, "Narrative...(展开全部)

Narratology has been conceived from its earliest days as a project that transcends disciplines and media. The essays gathered here address the question of how narrative migrates, mutates, and creates meaning as it is expressed across various media. Dividing the inquiry into five areas: face-to-face narrative, still pictures, moving pictures, music, and digital media, "Narrative...(展开全部)

Digital ethnography can be understood as a method for representing real-life cultures through storytelling in digital media. Enabling audiences to go beyond absorbing facts, computer-based storytelling allows for immersion in the experience of another culture. A guide for anyone in the social sciences who seeks to enrich ethnographic techniques, Digital Ethnography offers a gro...(展开全部)

"John Maeda deconstructs the digital world with the earned authority of an M.I.T.-trained computer scientist and a card-carrying artist. Being ambidextrous with Eastern and Western cultures, he can see things most of us overlook. The result is a humor and expression that brings out the best in computers and art."--Nicholas Negroponte John Maeda is one of the world's leading exp...(展开全部)

"John Maeda deconstructs the digital world with the earned authority of an M.I.T.-trained computer scientist and a card-carrying artist. Being ambidextrous with Eastern and Western cultures, he can see things most of us overlook. The result is a humor and expression that brings out the best in computers and art."--Nicholas Negroponte John Maeda is one of the world's leading exp...(展开全部)

Is there a significant difference in attitude between immersion in a game and immersion in a movie or novel? What are the new possibilities for representation offered by the emerging technology of virtual reality? As Marie-Laure Ryan demonstrates in Narrative as Virtual Reality, the questions raised by new, interactive technologies have their precursors and echoes in pre-elect...(展开全部)

Is there a significant difference in attitude between immersion in a game and immersion in a movie or novel? What are the new possibilities for representation offered by the emerging technology of virtual reality? As Marie-Laure Ryan demonstrates in Narrative as Virtual Reality, the questions raised by new, interactive technologies have their precursors and echoes in pre-elect...(展开全部)

艾温·威·蒂尔（1899-1980），美国著名博物学家，摄影家、自然文学作家，生于伊利诺州，曾任纽约昆虫协会、布鲁克林昆虫协会主席、梭罗协会主席，美国皇家摄影协会会员。他配有自己拍摄的照片的自然图书以准确的科学信息和诗意的表达方式而著称，获得包括普利策奖和约翰·伯勒斯勋 章在内的多个奖项。 译者颜元叔（1933-2012），中国台湾大学外文系教授、文艺评论家、英文教育家；湖南省茶陵县人，1933年生于南京，1956年毕业于台湾大学外文系，1958年赴美国留学，曾在威斯康辛大学研究英美文学，获博士学位；1963年回国后在母校执教，任外文系教授、系主任；是美国水牛城纽约州立大学客座教授、美国犹他大学交换教授；创办《中外文学》《淡江评论》等，并任《中外文学》社长兼总编辑；擅用幽默嘲讽的笔法，描述市井百态，剖析社会现实问题。著有《文学的玄想》《人间烟火》等，...(展开全部)

Seventeen-year-old Amy joins her parents as frozen cargo aboard the vast spaceship Godspeed and expects to awaken on a new planet, three hundred years in the future. Never could she have known that her frozen slumber would come to an end fifty years too soon and that she would be thrust into the brave new world of a spaceship that lives by its own rules. Amy quickly realizes th...(展开全部)